Copyright © 1995-97 Clas G. Bystedt Updated: 15 Jan.'97 |
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This is a very modest start to a new page on Kimiko's site. I call it STORIES reflecting the idea
that this page would contain articles, interviews and other stuff about Kimiko after her retirement.
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Tennis Magazine Dec'96 by Donna Doherty
Reuters 20 Nov '96 by Larry Fine
New York Times 19 Nov '96 by Robin Finn
Exposure Online October by Jackie M. Tanner |
Asahi Evening News 23 Nov '96 by Bryant Rousseau |
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Date delays retirement with victory over Seles
By LARRY FINE
Date, however, is happy to be leaving the tennis grind
behind.
Date has no regrets after last match
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![]() November 19, 1996 A Satisfied Date Is Stepping Down From Tennis Heights By ROBIN FINN
NEW YORK -- At 26, Kimiko Date is a youthful yet
unrepentant retiree who finds the prospect of tuning
out tennis after an unanticipated climb into the top 10
intoxicating. Not to mention logical. To her it makes
perfect sense to quit while she's ahead.
Japan's most famous tennis star admits to only a basic
grasp of the English language, but each time retirement
was mentioned in any language during lunch last week at
her favorite Manhattan eatery, Hyo Tan Nippon, Date lit
up like a firefly.
"Since I decided to retire, I wake up and I don't worry
about training, about injuries," she said through an
interpreter. "I'm not chased by time anymore. I'm free
from those things. I can't believe I got to the top 10
and managed to keep my position there, and of course I
could be greedy and want more, but I'm satisfied."
Date has reached the semifinals of all four Grand Slam
tournaments, earned seven titles on the women's pro tour
and nearly $2 million -- not including endorsements.
Now she is just as determined to leave the tour as she
was to enter it, against all odds and against her
parents' better judgment. Back then, she was 18 and
unwilling to pursue the university-to-marriage sequel
that represented the path of least resistance in her
culture.
"To be honest, both decisions were not so hard," said
Date, who considers herself an assertive type, in an
unassertive way.
She is ready to play what could be the final match of
her career Tuesday night in the Chase Championships at
Madison Square Garden. Date, who handed Steffi Graf a
rare loss this year, failed to even flinch when she
learned her opponent would be Monica Seles, a rough
assignment and, as bad luck would have it, a top player
she has never beaten.
But Date was less worried about winning or losing than
she was about the prospect of making a retirement speech
Tuesday night during a ceremony in her honor.
"I want to just enjoy the match and not think about the
result this time," she said, "because for once I don't
care about it. I'm very relaxed about playing, so I
really don't know what will happen. But to have to speak
in front of people, I'm reluctant."
Left-handed by nature but right-handed by custom, Date
picked up her chopsticks in the traditional manner --
"We all eat right-handed because if you use your left
hand you might touch the person next to you and that
would be impolite," she explained -- and tweaked an
edible sculpture of sea urchins, then slurped her soba
noodles with gusto. Date was quick to note that
noodle-eating was the only part of the dining experience
where her parents, sticklers for good manners, permitted
noise.
"It's a sign of respect to the chef," said Date, who was
serious enough about her on-the-road cuisine to include
riceball-making in the job description of her manager
and translator, Takako Niiyama. The request was less
frivolous than it might sound: Date equated her
riceballs to power bars, and considering the number of
recipe requests she has received from fellow players,
the snack has developed a reputation for producing
results.
No wonder she is taking the recipe with her into
retirement.
During her seven-year career, Date expanded her culinary
appreciation to include "even Kentucky Fried Chicken"
(she revealed that in English), and she learned to love
Paris more than Tokyo, where she owns a condominium.
But she still isn't sure how she was able to make her
simultaneous quantum leap on the tennis horizon from a
distant 112th on the computer in 1991 to a career-best
fourth in 1994. It was a leap she made despite being
forced by her father, a subway system superintendent,
and her mother, a seamstress who made kimono sashes, to
observe tradition and treat her tennis racquet like her
chopsticks. Whether at table or on court, she used her
right hand instead of her left "because I thought
everybody played that way."
Date was 6 when she first borrowed her mother's racquet;
she recalled it took a year before she had the strength
to swing it properly. A year later, she was already
competing, and she was a terror at her school's sports
day. "I couldn't stand to get beaten," she said of the
motivation that drove her from the age of 8 until it
deserted her at 26.
Operating in the era of the power game, the
5-foot-4-inch player had no obvious advantage with
either hand. "I had no weapons," she said. "I'm smaller
than everyone. They have a better physique than me. So I
changed my style to work the points the right way. I hit
the ball off the rise, and because of my grip, I could
hit the good topspin."
Date's plan was to ruin her adversaries' attack by
hitching herself like a burr to her opponents' power and
hanging on long enough to wear them down, then rip off
her signature parting shot, a backhand.
The highlight of Date's career came last spring when she
ambushed Graf in the Fed Cup quarterfinal and took the
German to three sets in their Wimbledon semifinal, a
match so arduous it took two days to finish.
"Both matches were a big satisfaction to me," Date said.
"Before Fed Cup, I never even thought about beating her
because in my mind, Graf is in a different class. I
admire her passion for the game. It was always hard for
me to play in Japan because I felt the pressure, but
she's under pressure all over the world."
Graf, slightly incredulous that Date would abandon
tennis just when she had proved she had got most
everybody's number, was generous with her praise.
"She's very quick, she takes the pace from her opponent,
she hits incredible angles," said Graf, "and what is so
dangerous about her is that however fast you're playing,
she can take the ball and place it perfectly. It's
difficult to understand why she wants to step back from
tennis when you can see she has much more potential than
anyone thought."
Including Date herself.
Other adventurers run off to join the circus. Date
performed the equivalent when she ran off to join the
women's tennis tour. But she had already revealed a
glimmer of independence at 15 when she selected a high
school with a strong tennis team that was far enough
from her family's Kyoto home that she needed to move
into a dorm. Asked why tennis meant so much to her that
she left home to pursue it, Date confessed to a slightly
different motivation.
"It's not that tennis was so important then, it's more
that I wanted to go live in the dormitory and be on my
own," she said. "I wanted my freedom."
Now she wants it again. But she is adamant that the
reason she is ending her tennis career is because she
has given it her best, not because she is in a rush to
wed the actor Kiichi Nakai -- or anyone.
"People may think it's strange that I'm retiring at my
peak, but this world is very competitive, very hard,"
she said. "Since I moved up to the top 10, it's been
difficult to keep up to the level, and for the last two
years I forced myself to work very hard. My main reason
is I don't want to have a life that's only tennis. If I
thought I'd have any regrets, I'd stay, but I've done
enough."
Copyright 1996 The New York Times Company
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November 23, 1996
NO REGRETS By Bryant Rousseau, Special to Asahi Evening News.
NEW YORK-
Kimiko Date's marriage to professional tennis didn't last into her golden years. But their amicable divorce, she said,
came at just the right time-before boredom and bitterness could set in and spoil all the good memories.
Copyright 1996 Asahi Evening News
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Tennis Magazine, December 1996
The Final Word
By Donna Doherty, Editor Tennis Magazine
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